Volume V – Anna Vogel & Maria Müller-Schareck

Volume V – Anna Vogel & Maria Müller-Schareck

November 2021

Anna Vogel lives in the Austrian mountains, in Tyrol, I live in the lowlands of the Rhine, in Düsseldorf. One, therefore, in the midst of the peace and majesty of the Alps, the other in a big city characterized by densification, traffic, and hecticness. The different speed that dominates our lives is one of the central themes in Anna Vogel’s work. Based on photography, she challenges its documentary potential by productively disrupting the surface of the image, literally overlaying and enriching it. Our conversation, conducted in the midst of the fourth wave of the COVID-19 pandemic, was possible thanks to digital communication; fast, but an inadequate substitute for face-to-face encounters.

Maria Müller-Schareck

Volume V – Anna Vogel & Maria Müller-Schareck

Sperling

all exhibits

Haris Epaminonda, Daniel Gustav Cramer: An Autumn Afternoon

4.11.2017–20.01.2018

Photos by Sebastian Kissel

Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Haris Epaminonda, Untitled #10 a/y (detail), 2016, mixed media, variable dimensions
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Haris Epaminonda, Untitled #02 t/f, 2014, white pastellone (90 x 70cm), iron plate (60 x 40cm), stone (18 x 16 x 9,5 cm)
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Daniel Gustav Cramer, Earth Impact Database, 2015, Book, 22,5 × 16,5 × 3 cm
Daniel Gustav Cramer, Tales (Argaka, Cyprus, August 2017), 2017, c-print, 29 × 24 cm
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Haris Epaminonda, N.I, 2017, white pastellone, brass, 161,5 × 172 x 5 cm
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Installation view: Haris Epaminonda and Daniel Gustav Cramer,
“An Autumn Afternoon”, 2017
Daniel Gustav Cramer, Tales (Nazwa, United Arab Emirates, October 2017), 2017, 10 c-prints, framed, each 25 × 20 cm
Haris Epaminonda, Unittled #15 a/y, 2017, framed found page, 33,6 × 27,2 × 2,5 cm
Haris Epaminonda, Chronicles XXI, 2016, super-8 film, digitalised, 11:15 min., colour, sound Produced by the TheViewstudio, SantiIlario Pavilion, Genova
Haris Epaminonda, Chronicles XXI, 2016, super-8 film, digitalised, 11:15 min., colour, sound Produced by the TheViewstudio, SantiIlario Pavilion, Genova